Published Writing
October 12, 2026 “Finding Vermeer in Unexpected Places,” Hyperallergic
October 9, 2026 “Gen’ichiro Inokuma Goes to New York,” LMF Writes
September 24, 2026 “Welcome to my Studio,” LMF Writes
September 11, 2026 “What I’ve Loved Writing About in 2026,” LMF Writes
August 30, 2026 “Book Review: ‘Anni Albers: A Life’ by Nicholas Fox Weber,” Glasstire
August 28, 2026 “Misha Bies Golas Sees Art Potential Everywhere: A review of the artist’s solo exhibition at the Centro Galego de Arte Contemporánea,” LMF Writes
August 27, 2026 “Toward Lightness: Aurèlia Muñoz at the Museo Nacional Centro de Arte Reina Sofía,” Momus
August 24, 2026 “Maria Martins Was More Than Just Duchamp’s Lover,” Hyperallergic
August 13, 2026 “Summer Shows in Galicia: A look at exhibitions in and around A Coruña, Spain,” LMF Writes
July 30, 2026 “In Memory of Betelhem Makonnen: A tribute to the boundary-breaking Austin artist,” LMF Writes
July 19, 2026 “An Interview with Carmen Lomas Garza, Looking Back at her Five-Decade Career,” Glasstire
July 16, 2026 “Madrid Summer Exhibitions Roundup: What I saw on a weekend trip to the Spanish capital in July 2026,” LMF Writes
July 7, 2026 “John Constable’s Four Seasons,” Hyperallergic
July 6, 2026 “Book Review: Kinship & Community: Selections from the Texas African American Photography Archive,” Glasstire
July 2, 2026 “Kawai Kanjiro’s House: Finding refuge in the artist’s Kyoto home and studio,” LMF Writes
June 17, 2026 “In Memory of David Hockney: Thoughts on the artist who makes me want to draw more,” LMF Writes
June 4, 2026 “Paper Making History in the Present Day: A visit to the Museu Molí Paperer de Capellades,” LMF Writes
May 23, 2026 “Inside the Color Spiral: The vibrantly mysterious paintings of Menchu Lamas,” LMF Writes
May 9, 2026 “Diana Aitchison on Drawing: A conversation with the artist about place, memory, and the importance of Drawing,” LMF Writes
May 2, 2026 “Looking for Guillermo Monroy: Th eGalician painter was only 28 years old when he died,” LMF Writes
April 28, 2026 “The Mysterious Life of Fluxus Dame Alison Knowles,” Hyperallergic
April 18, 2026 “Other Possible Histories: Rewriting Spanish art history to include more women,” LMF Writes
April 2, 2026 “Taro Okamoto’s Wondrous World: A look at the artist’s house museum in Tokyo,” LMF Writes
April 1, 2026 “Book Review: Knife-Woman: The Life of Louise Bourgeois by Marie-Laure Bernadac,” Glasstire
March 30, 2026 “Juan Uslé’s Childhood Shipwrecks,” Hyperallergic
March 19, 2026 “The Royal Chicano Air Force: Posters for the people,” LMF Writes
March 6, 2026 “Book Review: Art Work: On the Creative Life by Sally Mann,” Glasstire
March 5, 2026 “Ruth Matilda Anderson in Galicia,” LMF Writes
February 24, 2026 “The Disappearing Art of Iberian Democracy,” Hyperallergic
February 19, 2026 “Drawing is Free: A conversation with the artist and educator Chloe Briggs,” LMF Writes
February 18, 2026 “Book Review: Alice Baber: An Artist’s Triumph Over Tragedy,” Glasstire
February 9, 2026 “Spain’s Cosmic Mother of Modernism,” Hyperallergic
Feburary 5, 2026 “Sargadelos O Castro: A visit to the storied Galician porcelain factory,” LMF Writes
January 29, 2026 “Hundreds of galleries across Spain will strike next week to protest 21% tax on art,” The Art Newspaper
January 27, 2026 “How Joan Miró and America Fell in Love,” Hyperallergic
January 24, 2026 “Book Review: Grandma Moses: A Hard Day’s Work,” Glasstire
January 22, 2026 “The Artful Chasuble: On the unique garments that Henri Matisse designed for his Chapelle du Rosaire in Vence, France,” LMF Writes
January 12, 2026 “A Conversation about Ernest de Soto, the First Latino Master Printmaker in the U.S.,” Glasstire
January 8, 2026 “Seeing Baya for Myself: The Algerian artist returns to France, and to prominence,” LMF Writes
December 31, 2026 “Our pick of the shows to see in the world’s great art cities in 2026,” The Art Newspaper
December 26, 2025 “2025 in Art Studios Part II,” LMF Writes
December 12, 2025 “Book Preview: ‘Escaramuza’ by Constsance Jaeggi,” Glasstire
December 11, 2025 “2025 in Art Studios Part 1,” LMF Writes
December 2, 2025 “Madrid Shows in Fall” published on LMF Writes
November 19, 2025 “Book Review: Seeing Baya: Portrait of an Algerian Artist in Paris” published by Glasstire
November 19, 2025 “Finding Art in Unexpected Places: Espacio Peculiar, an art space in a Galician municipal market” published on LMF Writes
November 13, 2025 “An Artist of the Galician People: An introduction to Isaac Díaz Pardo” published on LMF Writes
November 11, 2025 “Book Review: Aaron Parazette” published by Glasstire
October 30, 2025 “Looking, Loving, and a Lost Letter Through Time: Francesca Fuchs’s thoughtful meditation on home at the Menil Collection” published on LMF Writes
October 23, 2025 “Book Review: Art at the Crossroads: The Surprising Aesthetics of the Texas Panhandle” published by Glasstire
October 17, 2025 “Japan’s Hidden Snack Culture: A look at Greg Girard’s Snack Sakura” published on LMF Writes
September 30, 2025 “Book Preview': ‘Barnett Newman: Here’ by Amy Newman” published by Glasstire
September 24, 2025 “The Trailblazing Pueblo Pottery Who Forged Her Own Path” published by Hyperallergic
September 21, 2025 “Unpacking the Ageist Mythos of Western Art” published by Hyperallergic
September 16, 2025 “Apertura Gallery Weekend: A Quick Trip Through Madrid’s Art Scene” published on LMF Writes
August 19, 2025 “How Liberty Fabrics Weaves Design and Art History” published by Hyperallergic
August 14, 2025 “A Conversation with Greg Piwonka” published on LMF Writes
July 20, 2025 “Patrick Michael Fitzgerald: An Interview” published on LMF Writes
July 12, 2025 “The Importance of Non-Places: A 2021 interview with Arturo Soto” published on LMF Writes
July 6, 2025 “Learning from the Land: A forest walk with the artist Belén Rodríguez” published on LMF Writes
July 2, 2025 “Interview: Hung Hsien on Her 70-Year Art Career” published by Interview: Hung Hsien on Her 70-Year Art Career
July 1, 2025 “Maria A. Guzmán Capron’s Hot Aliens” published on LMF Writes
June 29, 2025 “Joe Overstreet’s Activism Through Abstraction” published by Hyperallergic
June 24, 2025 “Book Review: ‘Border Documents” by Arturo Soto” published by Glasstire
June 17, 2025 “Henri Matisse Never Really Left Morocco” published by Hyperallergic
June 12, 2025 “An Introduction to Tim Behrens” published on LMF Writes
June 2, 2025 “Review: Michael Anthony García’s ‘Radical Synergy’ at the Galveston Arts Center” published by Glasstire
June 1, 2025 “Craig Mod’s Things” published on LMF Writes
May 19, 2025 “A Spanish Artist Makes Room for Women’s Stories” published by Hyperallergic
May 17, 2025 “Joel Meyerowitz in Spain” published by LMF Writes
May 11, 2025 “The Hearing Trumpet” published on LMF Writes
May 5, 2025 “Review: ‘Toshiko Takaezu: Worlds Within’ at the Museum of Fine Arts, Houston” published by Glasstire
May 4, 2025 “The Art of Cheese” published on LMF Writes
April 27, 2025 “Review: ‘Stencilled Elegance: Ise Katagami & the Art of Textile Design’” published by Glasstire
April 18, 2025 “Discovering Hilma af Klint Part II” published on LMF Writes
April 4, 2025 “Discovering Hilma af Klint Part I” published on LMF Writes
March 30, 2025 “Review: ‘The Sun Rises at Midnight’ at Pablo Cardoza Gallery, Houston” published by Glasstire
March 20, 2025 “Into the Woods” published on LMF Writes
March 14, 2025 “Houston Art Roundup” published on LMF Writes
March 2, 2025 “An American Artist’s Vignettes of Rural Italian Life” published by Hyperallergic
February 21, 2025 “Documenting Entroido” published on LMF Writes
February 17, 2025 “A Garden of Ideas in John Berger’s Letters to His Son” published by Hyperallergic
February 7, 2025 “O Parque do Pasatempo” published on LMF Writes
February 4, 2025 “Remembering Luis Torras,” “Galicia Máxica,” and “Holy Water for Human Hands” published on LMF Writes
January 30, 2025 “Review: Camille Pissarro: The Audacity of Impressionism” published by Glasstire
January 13, 2025 “Review: ‘Dining with Rolando Briseño: A 50-Year Retrospective at Centro de Artes, San Antonio” published by Glasstire
December 20, 2024 “Top 50 Exhibitions Around the World” published by Hyperallergic
December 17, 2024 “Glasstire’s Best of 2024” published by Glasstire
November 11, 2024 “Katarina Janečková Walshe: “Host” at The Contemporary Austin” published by Glasstire
November 4, 2024 “A Mother-Daughter Inheritance Illustrated in Thread and Ink” published by Hyperallergic and “Review: Una Luz: Photography Under Confinement in Venezuela” published by Glasstire
October 24, 2024 “An Overdue History of Japanese Women Photographers” published by Hyperallergic
September 22, 2024 “Isabella Stewart Gardner’s Never-Ending Quest for Beauty” published by Hyperallergic
June 30, 2024 “6 Art Books to Cure the Summer Reading Slump” published by Hyperallergic
June 19, 2024 “Images of Chicanismo: Louis Carlos Bernal’s ‘Monografía’” published by Glasstire
June 4, 2024 “Review: ‘The Floating World: Masterpieces of Edo Japan’ at the Blanton Museum of Art, Austin” published by Glasstire
May 26, 2024 “Review of ‘Anni Albers. In Thread and On Paper’” published by Glasstire
May 20, 2024 “A Japanese Painter’s Cosmic Love Letters to Hawaii” published by Hyperallergic
May 6, 2024 “Why Did Art History Marginalize Janet Sobel?” published by Hyperallergic
May 1, 2024 “Isabel Quintanilla’s Dreamy Realism” published by Hyperallergic
April 17, 2024 “A Spanish Artist’s Dreamy Homages to Her Homeland” published by Hyperallergic
April 9, 2024 “Teresa Lanceta Weaves the Fraught History of Spain” published by Hyperallergic
March 24, 2024 “Javier Arce’s Collaboration With the Spanish Wilderness” published by Hyperallergic
March 20, 2024 “A Galician Artist’s Return Home” published by Hyperallergic
March 11, 2024 “Review: ‘Chloe Chiasson: Keep Left at the Fork’ at Dallas Contemporary” published by Glasstire
March 1, 2024 “Madrid’s Enterprising Heritage Seen Through Its Signs” published by Hyperallergic
February 25, 2024 “Prado Show Reveals the Hidden Artwork on the Backs of Masterpieces” published by Hyperallergic
February 12, 2024 “Ben Shahn’s Ever-Relevant Political Art” published by Hyperallergic
January 30, 2024 “The Children’s Book Author Who Was Also an Artist” and “Are We Really Still Doing White Feminist Shows in 2024?” published by Hyperallergic
January 1, 2024 “A Time Traveling Kennel Club: Hiromi Stringer at grayDUCK Gallery, Austin” published by Glasstire
December 28, 2023 “The Top 50 Exhibitions of 2023” published by Hyperallergic
December 18, 2023 “Review: Ryan Thayer Davis at Ivester Contemporary, Austin” published by Glasstire
December 12, 2023 “Glasstire’s Best of 2023” published by Glasstire
December 10, 2023 “Interview: Curator Mark A. Castro on the Legacy of Mexican Artist Abraham Ángel” published by Glasstire
December 2, 2023 “Review: Something To Do With Pleasure at 12.26, Dallas” published by Glasstire
November 20, 2023 “Before Picasso, Joaquín Sorolla Was America’s Favorite Spanish Artist” published by Hyperallergic
November 16, 2023 “The Painter Mexico City Lost Too Soon” published by Hyperallergic
November 14, 2023 “The Unsung Women of American Land Art” published by Hyperallergic
November 8, 2023 “The Many Faces of Guadalajara’s Famed Ceramics Studio” published by Hyperallergic
November 1, 2023 “The Stories Behind the World’s Most Coveted Dyes” published by Hyperallergic
October 9, 2023 “What Did Home Mean to Leonora Carrington?” published by Hyperallergic
August 2, 2023 “The Exquisite Illustrations of a Pioneering Woman Herbalist” published by Hyperallergic
June 22, 2023 “New Takes on Traditional Chinese Ink Painting” published by Hyperallergic
June 13, 2023 “Remembering a Giant of Japanese Painting” published by Hyperallergic
May 28, 2023 “A Pioneering Feminist of Japanese Modernism” published by Hyperallergic
May 14, 2023 “Review: ‘HOST: Celeste’ at The Contemporary Austin” published by Glasstire
April 12, 2023 “The World is Finally Ready for Mina Loy” published by Hyperallergic
April 5, 2023 “Review: ‘Sketches for Three Voices’ by Joanna Klink, Annette Carlozzi, and Francesca Fuchs at testsite, Austin” published by Glasstire
February 19, 2023 “The Preserved Beauty of Italian Island Traditions” published by Hyperallergic
February 1, 2023 “Photographer Captures His Journey With Terminal Cancer” published by Hyperallergic
January 19, 2023 “What Can Art Do for Women?” published by Hyperallergic
January 16, 2023 “The Extraordinary Life of Barbara Chase-Riboud” published by Hyperallergic
January 12, 2023 “William Eggleston’s Long Road to Recognition” published by Hyperallergic
January 10, 2023 “Matthew Wong’s Tenacious Vision” published by Hyperallergic
January 9, 2023 “Texas Show Spotlights Brazilian Art and Activism” published by Hyperallergic
December 27, 2022 “Norman Rockwell’s Exceptional Drawings, Revealed for the First Time” published by Hyperallergic
December 26, 2022 “The Complex Fashion History of Colonial Spanish America” published by Hyperallergic
December 12, 2022 “A Fresh Look at Flowers in Photography” published by Hyperallergic
November 29, 2022 “A Decade Among the Mennonites” published by Hyperallergic
November 21, 2022 “The Largely Unknown Story of Women, Abstract Expressionism, and Texas” published by Hyperallergic
November 1, 2022 “Why Are You Drawing Faces Like That?” published by Hyperallergic
September 22, 2022 “Tackling the Myth of the American West” published by Hyperallergic
September 19, 2022 “These Photographs Were Made in Protest” published by Hyperallergic
September 15, 2022 “New Book Asks, Why Do Artists Make Art?” published by Hyperallergic
September 4, 2022 “It’s Time to Look at Meret Oppenheim Beyond the Teacup” published by Hyperallergic
September 1, 2022 “How Japan’s Best Ceramists ‘Listen’ to Clay” published by Hyperallergic
August 28, 2022 “London’s History, Washed Up on the Shores of the Thames” published by Hyperallergic
June 19, 2022 “A Look at the Country’s Only Touring Black Rodeo” published by Hyperallergic
June 2, 2022 “The Prodigal Son of Spanish Baroque Art” published by Hyperallergic
May 29, 2022 “Forklift Danceworks: ‘Dances for Dogs and the People Who Walk Them’ in Austin” published by Glasstire
May 11, 2022 “Oscar Muñoz Visualizes the Invisible” published by Hyperallergic
May 8, 2022 “Unearthing Austin’s Overlooked Chicano Art History” published by Hyperallergic
April 27, 2022 “An Insightful Look Into the Lives of Women Over 50” published by Hyperallergic
April 26, 2022 “Sit and Stay Awhile: ‘fitting’ at Northern-Southern, Austin” published by Glasstire
April 22, 2022 “Wendy Red Star’s Empowered Vision of Crow History” published by Hyperallergic
April 17, 2022 “In the Chicano Movement, Printmaking and Politics Converged” published by Hyperallergic
March 20, 2022 “Review: Jenelle Esparza, Artists Looking at Art at the McNay Museum” published by Glasstire
March 17, 2022 “In San Marcos, A Homecoming for Bill Hutson” published by Hyperallergic
March 15, 2022 “Luigi Ghirri’s Affectionate Photos of Puglia’s Calm, Hushed Spaces” published by Hyperallergic
March 8, 2022 “Julia Morgan, California’s First Licensed Female Architect” published by Hyperallergic
March 7, 2022 “The Spirited Sculpture of Octavio Medellín, Beloved Mexican-American Artist and Teacher” published by Hyperallergic
March 1, 2022 “How Artists Saw New York City Throughout the 20th Century” published by Hyperallergic
February 28, 2022 “A New Book on Niki de Saint Phalle Presents the Artist In Her Own Words” published by Hyperallergic
February 27, 2022 “Mies van der Rohe’s Forgotten Frat House Design is Resurrected and Repurposed” published by Hyperallergic
February 22, 2022 “Francesca Fuchs Tenderly Renders the Small and Private,” “Kamoda Shōji, One of Japan’s Most Celebrated Ceramic Artists,” and “Fun Facts and Unexpected Stories About Artists and the Art World” published by Hyperallergic
February 14, 2022 “How Painter-Architects Brought Built Spaces to Life” published by Hyperallergic
February 13, 2022 “Review: ‘Painted Flowers Shouldn’t Talk Back: The Houston Garden Artists in the Seventies’ by Margaret Killinger” published by Glasstire
February 8, 2022 “The Secretive, Ritual Objects of Masonic Groups” published by Hyperallergic
February 6, 2022 “A Teenager’s Dreamy Art Deco Bedroom From 1929” published by Hyperallergic
February 2, 2022 “Another Look at Hinko Smrekar, Slovenia’s Rebel Caricaturist” published by Hyperallergic
February 1, 2022 “Florine Stettheimer, Highly Original Artist, Gets Her First Comprehensive Biography” published by Hyperallergic
January 31, 2022 “Mauricio Lasansky’s ‘Nazi Drawings’ Confront the Unthinkable Evil” published by Hyperallergic
January 26, 2021 “Review: A Commitment to What is Before You at Northern-Southern” published by Glasstire
January 18, 2022 “Digital Exhibition Examines the Darker Side of Bananas” published by Hyperallergic
January 6, 2022 “How Venetian Glass Seduced American Artists a Century Ago” published by Hyperallergic
January 3, 2022 “How the Face of Rio de Janeiro Radically Changed Over Five Centuries” published by Hyperallergic
January 2, 2022 “Stitched Scenes of Everyday Life in LA’s Boyle Heights” published by Hyperallergic
December 19, 2021 “An Intimate Look at the Landscape of the South Texas Borderlands” published by Hyperallergic
December 15, 2021 “A History of Utopian Nudist Clubs in Buttoned-up Britain” published by Hyperallergic
December 13, 2021 “Feliza Bursztyn, a Colombian Sculptor Who Obliterated Norms” published by Hyperallergic
December 6, 2021 “How Pop Became Political for Artists Across the Americas” and “From Mississippi to Paris, Patrick Kelly’s Playful and Critical Fashion” published by Hyperallergic
December 5, 2021 “A Food-Obsessed Frolic Through Western Art History” published by Hyperallergic
November 30, 2021 “New Book Brings Virginia Woolf’s Little-Known Art Criticism To Light” published by Hyperallergic
November 28, 2021 “The Magnificent History of Japanese Screens” published by Hyperallergic
November 23, 2021 “Inside Luis Jiménez’s American Southwest” published by Hyperallergic
November 22, 2021 “Family Love and Politics in the Age of Trump and Beyond” published by Hyperallergic
November 16, 2021 “The First Koreatown in the US and the Activist Who Founded It” published by Hyperallergic
November 15, 2021 “A Gut-Wrenching but Graceful Photo Project on Trump’s America” and “Doris Derby’s Searing, Intimate Photos of the Civil Rights Movement” published by Hyperallergic
November 14, 2021 “A Look at the Holy Roman Empire’s Most Splendid Books” published by Hyperallergic
November 9, 2021 “The Control Over Women’s Bodies Expressed in Porcelain, Rope, and Hair” published by Hyperallergic
November 8, 2021 “A Japanese Designer’s Vision for Beautiful, Sustainable Textiles” published by Hyperallergic
November 7, 2021 “What Artists Cook Up in Their Kitchens” published by Hyperallergic
November 2, 2021 “Georgia O’Keeffe’s Photographs, Seen Closely for the First Time” published by Hyperallergic
November 1, 2021 “A Century of Women Designers Who Helped Shape Our Lives” published by Hyperallergic
October 31, 2021 “Reunited for the First Time, van Gogh’s Olive Groves Reveal Secrets About His Work” published by Hyperallergic
October 26, 2021 “How Witches Have Held Us Under Their Spell for Centuries” published by Hyperallergic
October 25, 2021 “Drawing the Intricate Environment of an Indigenous Venezuelan Community” published by Hyperallergic
October 24, 2021 “Artist Sam Francis Gets His First Comprehensive Biography” published by Hyperallergic
October 15, 2021 “New Art Space in Dallas Brings One Family’s Impressive Collection to the Public” published by Artsy
October 14, 2021 “Contemporary Artists Pay Tribute to Bosch’s Powerful Imagination” published by Hyperallergic
October 12, 2021 “The Little-Seen World of Demolition Derbies” and “Maria Guzmán Capron’s Deliciously Tactile Fabric Figures or ‘Hot Aliens’” published by Hyperallergic
October 11, 2021 “Faced With a Complex Sense of Home, Jagdeep Raina Turns to Art” published by Hyperallergic
October 5, 2021 “A Joyful Portrait of Old Age” published by Hyperallergic
October 4, 2021 “The Close Creative Dialogue of Two Brazilian Painteres, Alfredo Volpi and Eleonore Koch” published by Hyperallergic
October 3, 2021 “13 Arts Organizations Across 5 States and 2 Nations Unite for Desierto Mountain Time” published by Hyperallergic
September 28, 2021 “Wupatki National Monument, Home to 5,000 Indigenous Sites, Will be Conserved” and “Tender Pictures Capture a Gender-Confirming Journey” published by Hyperallergic
September 21, 2021 “The Making of the Modern Latin American Metropolis” published by Hyperallergic
September 20, 2021 “The Disruptive Architecture of Border Walls” published by Hyperallergic
September 19, 2021 “The 18th-century English Crazy for One-Eyed Portraits” and “A Forgotten Female Flower Painter, Revived” published by Hyperallergic
September 17, 2021 “A View of Oxford That Evades its ‘Ethos of Intellectualism’” published by Hyperallergic
September 15, 2021 “For Masahisa Fukase, Cats Were Much More Than Cute” published by Hyperallergic
September 14, 2021 “An Artist Excavates Her Family’s Pre-Holocaust Story” published by Hyperallergic
September 8, 2021 “Mulholland Drive, Lushly Captured in Panorama” published by Hyperallergic
September 7, 2021 “Why an Italian Village Tied Itself to a Mountain” published by Hyperallergic
September 6, 2021 “The Lyrical and Funny Art of Erasing Words From Books” and “Graceful, Glistening Photos of Beachgoers on Ipanema” published by Hyperallergic
August 24, 2021 “Painting the Stories of Artists Who Are Also Caretakers” and “Why Early Modern European Artists Were Obsessed With Shells” published by Hyperallergic
August 22, 2021 “Ouka Leele’s Fantastical Fashion Photos” published by Hyperallergic
August 17, 2021 “Nao Bustamante Redesigns a Common Gynecological Tool” and “New NY Public Library Installation is Inspired by History of Writing” published by Hyperallergic
August 11, 2021 “2020: A Year Like No Other, Captured in Photos” published by Hyperallergic
August 10, 2021 “An Artist’s Hand Towels, Woven During the Pandemic” published by Hyperallergic
August 1, 2021 “Made on a Boat, a photographer’s Dreamy Views of the Sea” published by Hyperallergic
July 30, 2021 “Review: Bradley Kerl at Ivester Contemporary” published in Southwest Contemporary’s print edition
July 25, 2021 “Paying Homage to the Ancient Vessels That Transported Water” published by Hyperallergic
July 22, 2021 “Innovative Curatorial Projects in Prints and Drawings” published by Hyperallergic
July 14, 2021 “LACMA Announces New Art + Technology Lab Grant Winners” published by Hyperallergic
July 12, 2021 “A Photographer Retraces New York’s Forgotten Springs and Wells” published by Hyperallergic
June 22, 2021 “Review: New Hong Hong Exhibition at Asia Society Texas Center” published by Southwest Contemporary
June 17, 2021 “New Technology Reveals Hidden Modigliani Portrait” published by Hyperallergic
June 14, 2021 “Detroit’s Electronic Music Scene, Seen Through Its Black Creators” published by Hyperallergic
June 13, 2021 “Seeing More: Hockney and Van Gogh’s Nature at the Museum of Fine Arts, Houston” published by Glasstire
June 10, 2021 “Photographer Captures the Unexpected, Everyday Choreography of NYC’s Streets” published by Hyperallergic
June 8, 2021 “‘Bultos,’ the Wooden Sculptures That Offer Heavenly Help” published by Hyperallergic
June 1, 2021 “Cache of Photos Reveals LA’s Old Chinatown” published by Hyperallergic
May 28, 2021 “A Craze for Landscape: ‘Perpetual Bloom’ at Rienzi, Houston” published by Glasstire
May 26, 2021 “Prado Museum Hangs Replicas of Goya, Velázquez, and More Around Madrid” published by Hyperallergic
May 21, 2021 “One artist’s treasures: At the Blanton, drawings from the collection of Jack Shear” published by Sightlines
May 19, 2021 “A Weird and Wonderful History of Design Patents” published by Hyperallergic
May 18, 2021 “A Beautiful Guide to Colors and the Natural World, Revisited 200 Years Later” published by Hyperallergic
May 5, 2021 “LA’s Mexican American Lowrider Culture, Photographed in All its Glory” published by Hyperallergic
April 26, 2021 “Before Photography, Watercolorists Documented the Luscious Variety of Fruits and Nuts” published by Hyperallergic
April 19, 2021 “The Almond and Pebble That Inspired a Joan Miró” published by Hyperallergic
April 12, 2021 “Shota Nakamura ‘dear moon’ Peres Projects / Berlin” published by Flash Art
April 5, 2021 “Michelangelo’s Last Two Decades Were His Busiest and Loneliest” published by Hyperallergic; “Expanding Our Understanding of Drawing: ‘Silent Revolutions’ at the Menil” published on Glasstire
March 27, 2021 “Jennifer Reiland’s ‘Carnage’ at Lawndale” published by Glasstire
March 25, 2021 “Blanton New Grounds Initiative Promises New Visitor Experience” published by Arts and Culture Texas
March 24, 2021 “New Map Unearths New York’s Oldest and Rarest Trees” published by Hyperallergic
March 16, 2021 “‘They Feel Like a Time Capsule’: Portraits of New York Commuters, Pre-Pandemic” published by Hyperallergic
March 11, 2021 “Greg Piwonka: A (virtual) studio visit” published by Sightlines
March 9, 2021 “Greg Piwonka’s Power Struggles at Martha’s Contemporary” published by Glasstire
March 5, 2021 “Eight years after Sam Coronado’s death, Pepe Coronado and Jonathan Rebolloso continue his printmaking legacy” published by Sightlines
March 1, 2021 “Why Are Giorgione’s Paintings So Mysterious, Even Centuries Later?” published by Hyperallergic
February 19, 2021 “Carrie Cook at Tyler Park Presents” published in CARLA (Contemporary Art Review Los Angeles), Issue 23
February 15, 2021 “How Leo Steinberg Saw the Profound Importance of Prints Before Most” published on Hyperallergic
February 8, 2021 “In Residence Interview: Hong Hong” published on Glasstire; “Anna Torma’s Hand-Sewn Dreams” published on Hyperallergic
January 30, 2021 “No Ocean Between Us at the San Antonio Museum of Art” published on Arts and Culture Texas; “Women’s Work: After Carolee, Tender and Fierce at Artpace” published on Glasstire
January 22, 2021 “Less is More: ‘The Contemporary Print 5x5’ features less artists, but more depth” published on Sightlines
January 5, 2021 “Beyond Frida: Female Mexican Painters Paint the Modern Mexican Woman at the Dallas Museum of Art” published on Glasstire
December 22, 2020 “Adrian Aguilera and Betelhem Makonnen’s Vision of an America That is Yet to Be” published on Frieze
December 21, 2020 “Glasstire’s Best Of 2020” published on Glasstire
December 17, 2020 “The Silly, Sexy, and Serious Wigs that Made History” published by Hyperallergic
December 16, 2020 “At 105, Carmen Herrera Goes Monumental in New Sculpture Series” published on Art & Object
December 15, 2020 “True Colors: Rachel Jones at 12.26 Gallery” published in Glasstire
December 7, 2020 “Meet Virginia Jaramillo, a Pioneering Minimalist Who Fuses Cosmology and Science Fiction” published on Hyperallergic
December 3, 2020 “The Man Who Walked Across Japan for Pizza Toast” published on Atlas Obscura
December 1, 2020 “Prado Museum Reopens with a Hard Look at Spanish Sexism” published on Hyperallergic; “Chuck Ramirez: The Minimalist Maximalist” published on Sightlines
November 23, 2020 “At Flatbed: Endangered Birds Take Flight in Suzi Davidoff’s Latest Work” published on Glasstire
November 20, 2020 “Memory and its Colors” online exhibition essay published by Flat Rate Contemporary
November 19, 2020 “Chuck Ramirez, the Heartfelt Photographer of Trash and Banal Throwaways” published on Hyperallergic
November 16, 2020 “An Englishman Goes West: Tom Jean Webb at Ivester Contemporary” published on Glasstire
November 12, 2020 “A New Book Awash with the Glories of Watercolor” published on Hyperallergic; “The New Normal: The 2020 Austin Studio Tour Goes Digital” published on Arts and Culture Texas; “A Studio Visit with Bradley Kerl” published on Jonathan Hopson Gallery’s blog Real About
November 10, 2020 “Afterglow: Arthur Peña at Nancy Littlejohn Fine Art” published on Glasstire
November 7, 2020 “Painting from Rural Roots: An Interview with Sarah Williams” published on Glasstire
November 4, 2020 “Interview: Adrian Aguilera and Betelhem Makonnen, ‘people the We,’” published on Sightlines
October 27, 2020 “Interview: Bryan Schutmaat, ‘County Road’” published on Sightlines
October 24, 2020 “Interview: What It’s Like to Live Between Two Worlds” published on Glasstire
October 21, 2020 “I’m Obsessed with Diego Velázquez’s ‘The Triumph of Bacchus'“ published on Artsy
October 17, 2020 “Proactive Prints” online group exhibition and sale, curated by Debra Barrera at Carry Out, Jonathan Hopson Gallery
October 15, 2020 “Review: From Los Outsiders, a group show brings natural relief from crisis fatigue” published on Sightlines
October 13, 2020 “Love and Other Words: Robert Indiana’s Enduring Influence at the McNay” published on Arts & Culture Texas
October 6, 2020 “Review: ‘Between Two Worlds’ captures the contemporary visual aesthetic of Texas-Mexico borderland” published on Sightlines
October 1, 2020 “Review: With its 25th Emerging Latinx Artists exhibition, Mexic-Arte keeps an open line to the current times” published on Sightlines
September 2, 2020 “Cervantes’s Sisters: The Female Writers of Spain’s Golden Age” published on Hyperallergic
August 2020 My interview with Kevin McNamee-Tweed published in his monograph Ceramic Paintings by Steve Turner Gallery
May 5, 2020 “The Risk of Stating the Obvious: Ella Kruglyanskaya Interviewed by Lauren Moya Ford” published on BOMB Magazine
April 27, 2020 “Studio Visit: Belén Rodríguez” published on BOMB Magazine
April 13, 2020 Music videos “Fantasy” and “Middle America” by Pure X released by Fire Talk Records. I created the visuals for both videos
March 31, 2020 “White Gold: How Chinese porcelain became a worldwide sensation, changing tastes and the global economy” published on History Today
March 18, 2020 “Ceija Stojka. This Has Happened” published in Art Papers
March 4, 2020 “An Avant-Garde Magazine that Promoted the Indigenism Movement” published on Hyperallergic
March 2, 2020 Exhibition preview “Prado show lifts the lid on the cases built to protect a French prince's treasures” published in The Art Newspaper, Number 321, print edition
February 28, 2020 “Unearthing Canada’s Impressionist Legacy,” published on Hyperallergic
February 10, 2020 “Field Guided: Native Plants and the Local Landscape in Texas Art” published in Wildflower Magazine, print edition
February 4, 2020 “Defiant Muses: Delphine Seyrig and the Feminist Video Collectives in France in the 1970s and 1980s"“ published in Femme Art Review, print edition
January 27, 2020 “Edward Hopper’s Intimate Paintings of the American Landscape” published on Art & Object
January 24 – February 6, 2020 Solo exhibition “Full Bloom” on view at the Visual Arts Center at the University of Texas at Austin
January 17, 2020 “The Artist Who Survived Three Concentration Camps and Captured her Trauma in Art” published on Artsy
January 13, 2020 “Blanton Print Pop-Ups Bring Audiences Up Close” published on Glasstire
January 9, 2020 “A Studio Visit with Ryan Thayer Davis” published on Sightlines
January 1, 2020 “How Europe Learned to Draw” published on Hyperallergic
December 24, 2019 “Tsuruya Kōkei: Modern Kabuki Prints Revised and Revisited at Asia Society” published on Glasstire
December 20, 2019 “Studio Visit: Luísa Jacinto by Lauren Moya Ford” published on BOMB Magazine
December 18, 2019 “Beatriz González and her Transformed Universal Art” published on Sightlines
December 5, 2019 “A Tale of Two Pioneering Women in Renaissance Italy” published on Hyperallergic
November 25 – December 6, 2019 Guest Artist in Print Program at the University of Texas at Austin’s Department of Art and Art History
November 29, 2019 “Mother River: Thao Nguyen Phan at Fundació Joan Miró, Barcelona” published on Mousse Magazine
November 26, 2019 Lecture “On Naoko Matsubara” at the University of Texas at Austin’s Department of Art and Art History
November 25, 2019 Lecture “Artist & Writer, Writer & Artist” at the University of Texas at Austin’s Department of Art and Art History
November 8, 2019 Studio visit with Malin Gabriella Nordin published on BOMB Magazine
October 30, 2019 “From a Medieval Spanish Printmaking Mecca” published in Pressing Matters, Issue 9
October 27, 2019 Interview with Dr. Gilberto Cárdenas about Latinx art published on Sightlines
October 18, 2019 Review “The Dark Fairytales of Kiki Smith” published on Art & Object
October 7, 2019 “The Dictator’s Favorite Painter: How Ignacio Zuloaga went from exiled reject to Francisco' Franco’s preferred portraitist” published on Art & Object
October 2, 2019 My talk “Naoko Matsubara: A Life with Wood, Ink, and Paper” is delivered at the “Knifework: Traces on the Artist’s Block” symposium at The Ashmolean Museum at Oxford University
September 12, 2019 “A forgotten Portuguese modernist finally has her moment” published on Apollo– The International Art Magazine
September 9, 2019 “The Unlikely Marriage of Secular Artists and the Church” published on Art & Object
August 17, 2019 Group show “Quasi-Nature” opens at Archive Art Contemporain, Montreal, CA
August 12, 2019 “These Quiet Landscape Photos Reveal Spain’s Violent, Dark History” published on Artsy
August 5, 2019 Interview with French photographer Clément Verger published on Paper Journal
July 31, 2019 “Tetsuya Ishida” now online in Mousse Magazine
July 26, 2019 “Illustrating Spain in Transition Through Underground Comix” published on Hyperallergic
July 24, 2019 “A Coin to a Cat: An Itinerant Drawing Project in Central Japan” published on Glasstire
July 15, 2019 “The Influence of Painting on Balenciaga’s Visual Universe” published on Hyperallergic
June 26, 2019 “Spain’s annual photography festival, in focus” published on Apollo–The International Art Magazine
June 20, 2019 “(Re)discovering Conquest-era maps of Mexico” published on Sightlines
June 17, 2019 Studio visit essay about Corpus Christi artist Ashley Thomas published on Glasstire
June 13, 2019 Selections from Sandy Water artist book featured on Sightlines
June 10, 2019 “Between Elusive and Familiar: Daniel Rios Rodriguez’s Bruisers,” published on Sightlines
June 9, 2019 Sandy Water artist book now available for purchase online
June 5, 2019 “Tetsuya Ishida” published in Mousse Magazine 68
June 1, 2019 Solo exhibition Sandy Water opens at Rising Tide Projects, Galveston, TX
May 24, 2019 Studio visit essay about Austin artist Drew Liverman published on Glasstire
May 8, 2019 Review “Katy McCarthy’s work explores the ways that women are remembered by history- or not” published on Sightlines Mag
April 2019 Drawing featured in the Fusebox Festival Catalog, Austin, TX
April 29, 2019 Interview with Gerardo Rosales published on Glasstire
April 26-28, 2019 Libros Mutantes art book fair with This is Jackalope at La Casa Encendida, Madrid, ES
April 24, 2019 Interview with Reyes Ramirez & Moe Penders published on Glasstire
April 22, 2019 Illustrations for Kajii Motojiro’s short story “Lemon” published on Kyoto Journal
March 30, 2019 Drawings featured in Heads Magazine #9 (UDLI Editions) at the Los Angeles Art Book Fair
March 29, 2019 Solo drawing exhibition A Coin to a Cat at Almost Perfect, Tokyo, JP
March 26, 2019 A selection of my writing from Ocean Air and my translation of a selection from Irene de la Torre’s La isla rural featured on Harlequin Creature
March 25, 2019 Interview with Delilah Montoya, “Detention Nation, the Colonial Body, and the Latinx Community” published on Glasstire
March 19, 2019 “Using Humor, Food, and Femininity, Bobby Baker Creates an Art of Domesticity” published on Hyperallergic
March 18, 2019 Interview with Francis Almendárez, Ana Fernandez & Debra Barrera, “Nuestro Hogar” published on Glasstire
March 9, 2019 Interview with Gabo Martinez, “Indigenous Art Forms, Nature, and Surface Design” published on Glasstire
Feb 22, 2019 Interview with Kat Coyle about my Ocean Air project published on The Island Review
Feb 21, 2019 “Joan Miró’s Studio Reopens with a Refreshed Perspective” published on Hyperallergic
Feb 16, 2019 Opening of Caves dos Sonhos Esquecidos: Vestíbulo with my performance “Ring”, Artes Mota Galiza, Porto, PT
Feb 9, 2019 Ocean Air, Nine Postcards and a Love Letter, and Poemas Galegos now available at La Fábrica book store, Madrid, ES
Jan 31, 2019 Bilingual reading of Ocean Air and my translation of Irene de la Torre’s La isla rural, Desperate Literature, Madrid, ES
Oct 19, 2018 “La artista americana Lauren Moya Ford presenta su visión de Gran Canaria” published in La Vanguardia
Oct 19, 2018 Solo exhibition La isleña opens at el Centro de Arte La Regenta, Las Palmas, ES
Oct 10, 2018 Artist talk at el Centro de Arte La Regenta, Las Palmas, ES
Oct 6, 2018 Editorial Froitas at the Hostia Un Libro book festival, Madrid, ES
Sep 20, 2018 “Pensando en hacer” published for Ana Esteve Llorens’s exhibition Trip at Galería Paz y Comedias, Valencia, ES
Sep 18, 2018 “Doing the Work of Making a Memory” published on Glasstire for Ana Esteve Llorens’s exhibition Correspondence at Las Cruxes Gallery, Austin, US
Sep 10-Oct 20, 2018 Artist-in-residence at el Centro de Arte La Regenta, Las Palmas, ES
Apr 20-22, 2018 Editorial Froitas at Libros Mutantes Art Book Fair, La Casa Encendida, Madrid, ES
Apr 14, 2018 Areia e Pedra performance at MCO Contemporânea with Cristina Regada’s exhibition Etorno Retorno, Porto, PT
March 31, 2018 Catalog essay Un detalle published in Ashley Thomas’s exhibition House and Universe at Las Cruxes, Austin, US
March 2018 Created Editorial Froitas book publishing project, Madrid, ES
Feb 11, 2018 Nine Postcards and a Love Letter bilingual reading with translator Irene de la Torre at Desperate Literature, Madrid, ES
Jan 18, 2018 Interview with Tim Garwood on Plataforma de Arte Contemporáneo, Madrid, Spain
Jan 5, 2018 Solo exhibition Vessel opens at K Space Contemporary, Corpus Christi, US